A searchable database of Gregorian chant.
A searchable database of Gregorian chant.
Searchable database of the manuscripts held at the Bibliothèque Nationale de France in the Departement des Manuscrits and the Bibliothèque de l’Arsenal, some with links to digitized versions of the manuscripts. Database includes full descriptions of manuscripts and bibliographical information, as well as incipit and explicit.
Cantus Index is a catalogue of chant texts and melodies for Office and Mass. Multiple online medieval music databases have been connected together through unique “Cantus ID numbers”. Chant texts and melodies can be searched on this Cantus Index website, and matches in any of the partner databases will be returned.
The research project CANTUS NETWORK, based at the Austrian Academy of Sciences, aims to investigate the records of Christian medieval worship that have survived in manuscript form and describe the practice of liturgical and musical acts of worship. The key sources for this transmission are the liturgical “prompt books”, called liber ordinarius, which include a short form of more or less the entire rite of a diocese or a monastery. Here, prayers, readings and chants are given as in abbreviated form as text incipits.
A liber ordinarius usually includes all information necessary for the church services of an individual institution (church, monastery) or a group (diocese, group of monasteries). On the one hand, this includes the incipits of chants, readings and prayers for the liturgy of the hours, for mass and for processions. On the other hand, it also includes rubrics that provide instructions on how and when particular liturgical actions should be carried out. In a third column, libri ordinarii may contain commentaries on the liturgy taken from standard contemporary works, providing additional information for particular feast days or a particular liturgical activity. A fourth column may provide the unlined neume notation of the chant incipits. When dealing with parts of ordinals, the neumes are the only proof of which piece of music is actually concerned. “Local colour” is created by the combination of the three or four columns, that is, the chant and recital text tradition, the rubrics and the explanations of the liturgy. [the site is in German with an English option]
Part of e-codices, the Virtual Manuscript Library of Switzerland, this site provides images and codicological descriptions of the medieval manuscripts contained at the Abbey Library of St. Gallen, Switzerland.
Assembled by Jerome Weber, this discography lists commercial sound recordings of Latin chant, on LP and CD. The site is updated regularly.
DIAMM (the Digital Image Archive of Medieval Music) is a leading resource for the study of medieval manuscripts. We present images and metadata for thousands of manuscripts on this website. We also provide a home for scholarly resources and editions, undertake digital restoration of damaged manuscripts and documents, publish high-quality facsimiles, and offer our expertise as consultants.
From the creators: The purpose of the project is to collect all information relating to the books of Durham Priory, manuscript and printed work inherited, given, bought or created by the monks of the Benedictine priory of Durham, its predecessors and cells.
As of 2020, the project has made available catalog descriptions and IIIF-compliant images of over 150 of the manuscripts associated with Durham Cathedral. Currently items are not searchable but are arranged by shelfmark. The project is regularly updated as has an active blog associated with it.
A collection of nearly 1,500 digitized manuscripts from Swiss libraries and collections. These manuscripts may be searched or browsed (by location, language, date, material, author, scribe, and others), including brief descriptions and annotations and bibliography where available. Libraries and collections include: St. Gallen, Stiftsbibliothek; Cologny, Foundation Martin Bodmer; Basel, Universitätsbibliothek; Einsiedeln, Stiftsbibliothek, and many others.
A project that brings together three collections of royal manuscripts – Carolingian manuscripts, the library of Charles V and family, and the library of the Aragonese kings of Naples – currently housed across Europe at five member libraries. Provides short essays as well as the virtual exhibition “Manuscripts and Princes in Medieval and Renaissance Europe.”
Fragmentarium’s primary objective is to develop a digital library specialized for medieval manuscript fragment research. Although based on the many years of experience of e-codices — Virtual Manuscript Library of Switzerland, the Fragmentarium Digital Library has an international orientation. First and foremost it is conceived as a social platform for libraries, scholars and students to do scholarly work on fragments. It conforms to the latest standards set by digital libraries and will set new standards, especially in the area of interoperability.
The web application contains a series of tools:
The Gregorian Archive is primarily a collection of recorded solo performances of the nearly six hundred Gregorian melodies provided in the earliest manuscript sources for the chanted Propers of the Roman Mass.
A collection of online resources for the study of manuscripts and archives.
Provides an index of volumes published in University of Copenhagen’s Monumenta Musicae Byzantinae series, dedicated to scholarship about Byzantine chant. Also includes extensive bibliography, an inventory of the microfilms and photos of manuscripts housed at the University for the study of Byzantine chant, and the standard abridged version of the Sticherarion (Byzantine notated chant book) downloadable in .pdf format.
L’objectif de TELMA est de mettre en ligne à la disposition de la communauté scientifique des corpus de sources primaires et les instruments de recherche nécessaires à leur exploitation. De ce fait, TELMA intègre deux types de corpus : des répertoires de ressources et des éditions critiques de sources manuscrites associées ou non à des images numérisées des documents.