The Bibliotheca legum regni Francorum manuscripta aspires to do so with a focus on the legal knowledge that was disseminated in the Frankish Kingdom. The website presents descriptions of manuscripts which contain the so-called leges or barbarian law-codes. At present, 327 short descriptions are available. In addition to that, the database also provides contextualizing informations and tries – for example by means of a comprehensive bibliography – to represent the current state of research as complete as possible. External resources like online catalogues and digital images are also included.
[website is in German with an option to display in English]
The French of England project provides a variety of resources for the study of French in England from the Norman Invasion into the early modern period. The site seeks to unseat typical chronological and geopolitical boundaries in showing that the French of England was a long-lasting and wide-ranging phenomenon.
The project provides resources, including: bibliographies, syllabuses, audio recordings of Anglo-French texts, some translations, and editions, as well as a list of links to other sites that approach the study of the language and cultures associated with the French of England.
The Glasgow Incunabula Project seeks to provide a catalog of the over 1000 incunabula in the University of Glasgow Library’s collections. The project provides multiple access points for the early printed materials. On the website, one can find lists of incunabula by authors, printers, dates, annotators, languages, prices, and multiple other qualities.
Most incunabula’s listings contain a detailed catalog entry and sometimes an accompanying image, all housed on Flickr. The project also has a blog that was active until 2017.
This database and website is a virtual museum of images produced between the late 15th through mid-20th century that document the architectural monuments of South Italy (the medieval Kingdom of Sicily) and their decoration (pulpits, mosaics, pavements) prior to destruction and restoration. The images, often produced during the Grand Tour or by artists and architects of a study journey to South Italy, are vital sources of information about the siting and character of the highly significant architecture sponsored by the Norman, Hohenstaufen, and Angevin rulers prior to the devastation of earthquakes, volcanic eruptions, and particularly the Allied bombardment of World War II.