An informational site that provides descriptions of and guide to the holdings of the Archivio Segreto Vaticano (ASV) and its publications, including a history of the archive and procedures for consultation or requests for photographic or digital reproductions of any holdings. Descriptions of the major projects are accompanied by images of representative manuscripts. The downloadable guide lists the over 600 different collections, but not individual manuscripts of their contents.
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The goal of the project was to locate all the medieval codices written in the Hebrew script, which contained explicit production dates or at least scribe names; to study and document all their visual and measurable material features and scribal practices in situ, i.e. in the libraries in which they were kept; and classify these features and practices in order to expose a historical typology of the hand-produced Hebrew book and provide users of Hebrew manuscripts with a tool for identifying the production region and assessing the period of the studied manuscripts. Indeed, since the initiation of the project, almost all the dated manuscripts that were located have been studied and documented in some two hundred and fifty libraries and private collections.
Bibliothèque virtuelle des bibliothèques, ce portail vous invite à découvrir l’histoire d’une partie des textes et livres qui ont été écrits, traduits, enluminés, collectionnés ou inventoriés depuis l’Antiquité jusqu’au XVIIIe siècle.
A virtual library of libraries, this portal invites you to discover the history of a portion of the texts and books that were written, translated, illuminated, collected or catalogued from Antiquity to the eighteenth century.
Searchable database of the manuscripts held at the Bibliothèque Nationale de France in the Departement des Manuscrits and the Bibliothèque de l’Arsenal, some with links to digitized versions of the manuscripts. Database includes full descriptions of manuscripts and bibliographical information, as well as incipit and explicit.
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A digital library and index of primary and secondary sources and British and Irish history resources, which currently (Jan. 2016) contains material from over 1,250 printed volumes. Also provides digitized versions of guides and calendars held at the National Archives at Kew, and historic maps, including the 19th-century Ordnance Survey. Augmented by scholarly born-digital resources like browsable datasets compiled from taxes, references to medieval market privileges, and central courts such as the Court of Common Pleas. Also includes useful subject guides to local, parliamentary, urban, and religious history with essays and bibliography. A small amount of content is restricted to subscription holders.
* National History Day Selected Resource *
A database of manuscripts digitized by the British Library; see the website for the full range of its archival collection.
A collection of Latin chant inventories from medieval and early modern antiphoners, breviaries, and other liturgical sources.
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Cantus Index is a catalogue of chant texts and melodies for Office and Mass. Multiple online medieval music databases have been connected together through unique “Cantus ID numbers”. Chant texts and melodies can be searched on this Cantus Index website, and matches in any of the partner databases will be returned.
Cette base de données présente le texte, et bientôt les reproductions photographiques, de l’ensemble des chartes originales antérieures à 1121 conservées en France. (This database presents the texts, and sometimes photographic reproductions, of the corpus of original charters preserved in France predating the year 1121.)
A collection of online resources about Christine de Pizan, including links to digitized manuscripts and incunabula, out-of-copyright modern editions of her work (in the original French as well as English translation), and scholarly societies, projects, and websites devoted to Christine.
Named after Pierpont Morgan’s yacht, CORSAIR is a single database providing unified access to over 250,000 records for medieval and Renaissance manuscripts, rare and reference books, literary and historical manuscripts, music scores, ancient seals and tablets, drawings, prints, and other art objects. Records continue to be added for the balance of the collection as well as for new acquisitions.
The depth of detail is unusual for an online catalog. Many records include summaries of the content of individual letters, lengthy notes about provenance, and detailed descriptions of bindings. Specialized indexes enable researchers to find all of the Morgan’s holdings associated with a given name, date, or place. For example, with a single search a scholar interested in Dickens can find records for manuscripts and letters in the author’s hand, early printed editions of his novels, original illustrations, photographs, and personal possessions such as Dickens’ ink pot and cigar case.
CORSAIR also serves as the gateway to one of the largest repositories of medieval images on the Internet, providing access to more than 57,000 digitized images from the Morgan’s collection of medieval and Renaissance manuscripts. Users may page through every illustrated leaf within a manuscript, or search for individual images by place or date of creation, artist’s name, illustration type, and subject. The images and descriptions may be accessed directly through CORSAIR, or by visiting Images from Medieval and Renaissance Manuscripts.
An online database of the works of the poet Dafydd Ap Gwilym, with manuscript notes and images available for the poems.
DIAMM (the Digital Image Archive of Medieval Music) is a leading resource for the study of medieval manuscripts. We present images and metadata for thousands of manuscripts on this website. We also provide a home for scholarly resources and editions, undertake digital restoration of damaged manuscripts and documents, publish high-quality facsimiles, and offer our expertise as consultants.
DigiPal is a new resource for the study of medieval handwriting, particularly that produced in England during the years 1000–1100, the time of Æthelred, Cnut and William the Conqueror. It is designed to allow you to see samples of handwriting from the period and to compare them with each other quickly and easily.
The Bodleian Libraries’ collections are extraordinary and significant—both from a scholarly point of view and as material that has an historic and aesthetic richness that holds value for non-academic users. Each year the Libraries serve more than 65,000 readers, over 40% of them from beyond the University, while its critically-acclaimed exhibitions attract almost 100,000 visitors annually. In an effort to make portions of our collections open to a wide variety of users from around the world for learning, teaching and research, the Bodleian Libraries have been digitizing library content for nearly twenty years. The result is over 650,000 freely available digital objects and almost another 1 million images awaiting release.
Like many academic libraries, though, our freely available digital collections have been placed online in project-driven websites, with content stored in discrete ‘silos’, each with their own metadata format, different user interfaces, and no common search interface enabling users to discover content or navigate across collections. Some of our collections are linked at portal pages, but each collection remains, with a few exceptions, isolated and difficult to search. In addition, only a few collections offer a machine-readable interface, or any way to link their data with similar data in other Bodleian collections, or with collections at other institutions.
Digital.Bodleian aims to solve these problems by:
- Bringing together our discrete collections under a single user interface which supports fast user-friendly viewing of high resolution images.
- Standardizing the metadata for each collection to facilitate faceted browsing and searching across collections.
- Converting all of our images in a variety of formats to JPEG2000 and migrating them to a robust scalable storage infrastructure.
- Allowing users to tag and annotate images and group together content into their own virtual collections which can be shared with other users.
- Allowing users to export metadata and images.
All of these tasks have been carried out using standards-compliant file formats and methods and with a view to future expansion, scalability and robustness.
An searchable image database of selections from medieval and Renaissance manuscripts that unites scattered resources from many institutions into an international tool for teaching and scholarly research.
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DigiVatLib is a digital library service. It provides free access to the Vatican Library’s digitized collections: manuscripts, incunabula, archival materials and inventories as well as graphic materials, coins and medals, printed materials (special projects).
Diplomata Belgica offers a critical survey of all the diplomatic sources, edited or still unpublished, and issued by both natural persons and legal bodies from the medieval Southern Low Countries. Diplomata Belgica covers present day Belgium as well as those areas which belonged historically to the Southern Low Countries but are part now of France (French Flanders, French Hainault), the Netherlands (parts of the provinces of Zeeland, Noord-Brabant, Limburg), the Grand Duchy of Luxembourg, or Germany (parts of the Rhineland). At this stage,Diplomata Belgica contains metadata about almost 35,000 charters and deeds in Latin, Old-French, Middle Dutch and Middle High German, almost 19,000 full text transcriptions and almost 5,000 photographs of original charters. The database aims at exhaustivity for the period before 1250 and will, in the future, also include late medieval diplomatic materials without striving after completeness.
Dumbarton Oaks Research Library and Collection is the legacy of Robert and Mildred Woods Bliss to Harvard University and to the humanities. The multiple aspects of the Blisses’ gift include historic gardens and buildings, world-class collections for researchers and the public to enjoy, and generous support for fellowships and scholarly endeavors on the local, national, and international levels.
Our mission is, first, to maintain what we have been entrusted by the Blisses to preserve. Second, to support the pursuit of the humanities as a whole, with particular focus on the disciplines of Byzantine, Pre-Columbian, and Garden and Landscape Studies. Third, to honor the intention of the donors by achieving the greatest mutual advantage between Harvard and Dumbarton Oaks. Fourth, to serve the larger public through the museum, garden, and Friends of Music.
The fourth edition of Electronic Beowulf 4.0 is a free, online version of Electronic Beowulf that supersedes all previous editions. The online edition is designed to meet the needs of general readers, who require a full, line by line, translation; of students, who want to understand the grammar and the meter and still have time in a semester to study and appreciate other important aspects of the poem; and of scholars, who want immediate access to a critical apparatus identifying the nearly 2000 eighteenth-century restorations, editorial emendations, and manuscript-based conjectural restorations.
La base Enluminures propose la consultation gratuite de plus de 120 000 images, sous forme de vignette et de plein écran, reproductions numériques des enluminures et éléments de décor de plus de 5 000 manuscrits médiévaux conservés dans une centaine de bibliothèques municipales françaises.
The Enluminures database offers free consultation of more than 120,000 images, in the form of a thumbnail and full-screen, digital reproductions of illuminations and decorative elements of more than 5,000 medieval manuscripts preserved in some 100 French municipal libraries.
A project that brings together three collections of royal manuscripts – Carolingian manuscripts, the library of Charles V and family, and the library of the Aragonese kings of Naples – currently housed across Europe at five member libraries. Provides short essays as well as the virtual exhibition “Manuscripts and Princes in Medieval and Renaissance Europe.”
Fragmentarium’s primary objective is to develop a digital library specialized for medieval manuscript fragment research. Although based on the many years of experience of e-codices — Virtual Manuscript Library of Switzerland, the Fragmentarium Digital Library has an international orientation. First and foremost it is conceived as a social platform for libraries, scholars and students to do scholarly work on fragments. It conforms to the latest standards set by digital libraries and will set new standards, especially in the area of interoperability.
The web application contains a series of tools:
- A cataloging tool that enables libraries, collectors, researchers and students to gather and describe fragments via a CMS.
- A tool for curated and social tags, facets and keywords, allowing efficient research through comparison and cross-checking.
- A tool to link and assemble fragments offers the possibility to arrange cuttings, fragments of leaves, and individual leaves in any order.