The site provides downloadable data (MS Excel .csv format) of prices for many types of food, drink, raw materials, and manufactured goods from the central middle ages to the 20th century, collected largely from sources published in the 19th and 20th centuries.
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Bloomsbury Medieval Studies is a subscription-based platform that provides a number of sources for the study of the Middle Ages across the globe and within all subperiods. Among the resources is the Encyclopedia of the Global Middle Ages, over 200 ebooks on a variety of topics, images of digitized primary sources including manuscripts and incunables, and research and learning tools.
Searchable database of tens of thousands of images and records of objects in the British Museum collection, spanning thousands of years and from all across the world.
* National History Day Selected Resource *
The Chinese Text Project is an open-access digital library whose goal is to make available a wide variety of Chinese texts from ancient periods. Though the site focuses on ancient texts in particular, texts from the Tang, Song, and Ming dynasties are well represented as well. Texts are generally taken from open-source documents published elsewhere on the internet, but there are also original transcriptions as well.
The CTP also brings together a variety of resources for the study of ancient Chinese texts, including dictionaries, bibliographies, and other resources. There is also an active discussion board where questions of transcription and translation are frequently asked. The site continues to be updated regularly.
CollateX is a software to
- read multiple (≥ 2) versions of a text, splitting each version into parts (tokens) to be compared,
- identify similarities of and differences between the versions (including moved/transposed segments) by aligning tokens, and
- output the alignment results in a variety of formats for further processing, for instance
- to support the production of a critical apparatusor the stemmatical analysis of a text’s genesis.
Named after Pierpont Morgan’s yacht, CORSAIR is a single database providing unified access to over 250,000 records for medieval and Renaissance manuscripts, rare and reference books, literary and historical manuscripts, music scores, ancient seals and tablets, drawings, prints, and other art objects. Records continue to be added for the balance of the collection as well as for new acquisitions.
The depth of detail is unusual for an online catalog. Many records include summaries of the content of individual letters, lengthy notes about provenance, and detailed descriptions of bindings. Specialized indexes enable researchers to find all of the Morgan’s holdings associated with a given name, date, or place. For example, with a single search a scholar interested in Dickens can find records for manuscripts and letters in the author’s hand, early printed editions of his novels, original illustrations, photographs, and personal possessions such as Dickens’ ink pot and cigar case.
CORSAIR also serves as the gateway to one of the largest repositories of medieval images on the Internet, providing access to more than 57,000 digitized images from the Morgan’s collection of medieval and Renaissance manuscripts. Users may page through every illustrated leaf within a manuscript, or search for individual images by place or date of creation, artist’s name, illustration type, and subject. The images and descriptions may be accessed directly through CORSAIR, or by visiting Images from Medieval and Renaissance Manuscripts.
Dumbarton Oaks Research Library and Collection is the legacy of Robert and Mildred Woods Bliss to Harvard University and to the humanities. The multiple aspects of the Blisses’ gift include historic gardens and buildings, world-class collections for researchers and the public to enjoy, and generous support for fellowships and scholarly endeavors on the local, national, and international levels.
Our mission is, first, to maintain what we have been entrusted by the Blisses to preserve. Second, to support the pursuit of the humanities as a whole, with particular focus on the disciplines of Byzantine, Pre-Columbian, and Garden and Landscape Studies. Third, to honor the intention of the donors by achieving the greatest mutual advantage between Harvard and Dumbarton Oaks. Fourth, to serve the larger public through the museum, garden, and Friends of Music.
e-Clavis is a bibliography of Christian apocrypha compiled in a list format, which users can use to find source material. The website is free to use under a Creative Commons license.
Searchable bibliography/index of articles in over 500 journals, book reviews, and essays in books about women, sexuality, and gender during the middle ages published from c.1990 onwards. Excludes books by a single author (e.g., monographs). Many items include brief annotations. Some images also indexed. Provides links to other resources on medieval women and gender (including masculinity and homosexuality).
Fragmentarium’s primary objective is to develop a digital library specialized for medieval manuscript fragment research. Although based on the many years of experience of e-codices — Virtual Manuscript Library of Switzerland, the Fragmentarium Digital Library has an international orientation. First and foremost it is conceived as a social platform for libraries, scholars and students to do scholarly work on fragments. It conforms to the latest standards set by digital libraries and will set new standards, especially in the area of interoperability.
The web application contains a series of tools:
- A cataloging tool that enables libraries, collectors, researchers and students to gather and describe fragments via a CMS.
- A tool for curated and social tags, facets and keywords, allowing efficient research through comparison and cross-checking.
- A tool to link and assemble fragments offers the possibility to arrange cuttings, fragments of leaves, and individual leaves in any order.
Franciscan Women: History and Culture is a project of the Franciscan Institute and Bonaventure University to gather information on women’s Franciscan orders across the globe from the 13th century to the 18th century. The website provides a free database where users can find an extensive searchable bibliography on Franciscan women. There is also an encyclopedia of Franciscan women in addition to a list of convents across the globe with years of operation and references to secondary sources that treat the person or location. As of 2020, there are hundreds of entries available. Individual entries vary in length and contents based and can be anywhere from one sentence to several paragraphs long.
The project also has a list of helpful links for the study of women’s orders.
“The Global Medieval Sourcebook (GMS) is an open access teaching and research tool. It offers a flexible online display for the parallel viewing of medieval texts in their original language and in new English translations, complemented by new introductory materials.
The GMS spans one thousand years (600-1600) of literary production around the world. It contains short texts of broad interdisciplinary interest in a variety of genres, almost all of which have not previously been translated into English.”
The Global Middle Ages Project, or GMAP, aims to explore the whole world of the Middle Ages, from 500 to 1500CE, by exploring peoples, places, objects, and numerous other vectors for medieval research.
The website functions as a clearinghouse for projects hosted by GMAP with links to a variety of digital humanities projects from scholars of various aspects of the Middle Ages.
Les collections de la Bibliothèque nationale de France abritent plusieurs dizaines de milliers de manuscrits dont le décor constitue l’un des plus riches musées de peinture au monde. Par leur grande variété et leur intérêt iconographique, ces images composent aussi une véritable encyclopédie visuelle de leur temps. En accroissement continu, Mandragore compte aujourd’hui plus de 170.000 notices analysant des œuvres conservées au Département des manuscrits et à la Bibliothèque de l’Arsenal, et dont les plus anciennes remontent à l’Égypte pharaonique et les plus récentes à l’époque contemporaine. Leur indexation repose sur un vocabulaire de plus de 18.000 descripteurs.
The collections of the National Library of France house tens of thousands of manuscripts whose decoration comprises one of the richest painting collections in the world. Through their wide variety and iconographic interest, these images also make up a veritable visual encyclopedia of their time. Growing continuously, Mandragore now has over 170,000 records analyzing works held in the Department of Manuscripts and the Library of Arsenal, the oldest of which date back to Pharaonic Egypt and the most recent from modern times . Their indexing is based on a controlled vocabulary of more than 18,000 descriptors.
The 14th century travel book and geography, The Travels of Sir John Mandeville provides readers with a fantastical tale of a man’s (supposed) journey from England to the farthest edges of the world. Sir John, the books’ narrator, tells stories of the sanctity of the Holy Land, of the wickedness of distant pagans peoples, and amazing and monstrous races that inhabit the corners of the globe. Taken as a whole, Mandeville’s book offers a remarkable insight into medieval ideas about geography, and about the way that the world was put together.
This project seeks to combine Mandeville’s text with one of the largest and most famous of the mappaemundi — the Hereford Map — in an attempt to use the two media together to make them more individually comprehensible. Using a legible copy of the Hereford map, I have annotated numerous locations on the map that also appear in Mandeville’s text. Clicking on these locations will bring up relevant selections from the text, and allow views to both understand Mandeville’s text within its proper framework, and to explore the foreign geographies of the map with a guide.
This project presents a bibliography, discussion, and links to a variety of digitized medieval maps representing maps of a number of styles and from various parts of the world.
Met Publications is the publishing house website of New York’s Metropolitan Museum of Art. The site contains listings for many of the publications of the Met Museum dating back to 1911 on topics touching on all aspects of art history from all periods and regions. Included among these are numerous exhibition catalogs, collection catalogs, the Metropolitan Museum Journal, The Metropolitan Museum of Art Bulletin, educational and pedagogical books, and other online publications. Titles that are currently in print by the Met are fully searchable, though one must purchase the books to see the entire text. For books that are out of print, the museum makes the fully text available online and for download for free.
The search function on the Met Publications site allows users to search the various types of publications by name, author, type of text, and date among other qualities. Publications are regularly updated.
The Munich DigitiZation Center (MDZ) is the digital imagining website of the Bavarian State Library and associated institutions. The website includes content in German, English, and Italian. The MDZ is responsible for digitizing and publishing images of the State Library’s rich medieval manuscript and early print book holdings, which total well over 15,000 items. The collections comprise items from across Europe particularly but also items from around the world. The library’s holdings are especially rich in early medieval manuscripts.
The MDZ has both an online catalog for searching in addition to regularly updated online exhibitions. New items are added to the digital collections continuously. The catalog allows for advanced searching by title, date, and author. Each entry in the image database contains a catalog entry as well as the ability to download images in differing sizes and format. Also included are IIIF-compliant images and a Mirador viewer.
The New York Public Library’s Digital Collections is the NYPL’s digital image archive. It contains a continuously updated selection of digital exhibitions in addition to a collection of over 4,000 images of manuscripts and many more of early printed books. The NYPL’s digital collections are global in outlook, including manuscripts from across the globe. Its holdings range from the 1200s onward, with strengths in the later Middle Ages and early print as well as Jewish manuscripts and books.
Digital entries include catalog information, multiple options for download though only in JPG format, and a timeline of information about the item where available. Digital Collections entries also link back to the NYPL’s catalog entries. Items are made freely available with citations for each item available to copy and paste.
Searchable annotated bibliography of over 5000 modern print and online editions of medieval primary sources, intended for a broad audience including high school and college level instructors as well as more advanced scholars or enthusiasts.
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A digitization of Johann Georg Theodor Grässe’s Orbis Latinus; Lexikon lateinischer geographischer Namen des Mittelalters und der Neuzeit (1909), providing cross-referenced modern equivalents of Latin place names.
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The SDBM continuously aggregates and updates observations of pre-modern manuscripts drawn from over 13,000 auction and sales catalogs, inventories, catalogs from institutional and private collections, and other sources that document sales and locations of these books from around the world. It may be searched or browsed by author, title, seller, provenance, date, and others, and the datasets may also be downloaded in .xlsx or .csv format. Members of our user community are invited to log in and help us to build, maintain, and improve this resource.
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“This website provides pedagogical resources for teachers who want to address the global history of slavery and captivity during the medieval period, broadly defined.”
The includes: “historical sources (texts, images, and audio files) that can be assigned as readings or used for in-class activities” and “a selected bibliography of scholarly works to help teachers present slavery and captivity in an appropriate, historically and culturally specific context.”