The Index to Welsh Poetry in Manuscript
Les collections de la Bibliothèque nationale de France abritent plusieurs dizaines de milliers de manuscrits dont le décor constitue l’un des plus riches musées de peinture au monde. Par leur grande variété et leur intérêt iconographique, ces images composent aussi une véritable encyclopédie visuelle de leur temps. En accroissement continu, Mandragore compte aujourd’hui plus de 170.000 notices analysant des œuvres conservées au Département des manuscrits et à la Bibliothèque de l’Arsenal, et dont les plus anciennes remontent à l’Égypte pharaonique et les plus récentes à l’époque contemporaine. Leur indexation repose sur un vocabulaire de plus de 18.000 descripteurs.
The collections of the National Library of France house tens of thousands of manuscripts whose decoration comprises one of the richest painting collections in the world. Through their wide variety and iconographic interest, these images also make up a veritable visual encyclopedia of their time. Growing continuously, Mandragore now has over 170,000 records analyzing works held in the Department of Manuscripts and the Library of Arsenal, the oldest of which date back to Pharaonic Egypt and the most recent from modern times . Their indexing is based on a controlled vocabulary of more than 18,000 descriptors.
The Manuscripts of Lichfield Cathedral Project presents digital surrogates and bibliography on two medieval manuscripts held in Lichfield Cathedral: the 9th-century St. Chad’s Gospels and the 15th-century Wycliffite New Testament. The project offers both standard and multispectral imaging of the manuscripts, alongside RTI, or Reflectance Transformation Imaging for selected openings from the books.
Manuscripts of the West Midlands is an online catalog of the vernacular manuscript books of the West Midlands from c. 1300 to 1475. Created by a team at the University of Birmingham (UK), the project presents catalog entries of around 150 manuscripts associated with the region. Catalog entries include information on the text contained within a manuscript in addition to the physical features of the manuscript and its shelfmark at the institution of which it is a part. Users may find lists of manuscripts by repository, title, people, and bindings. There is also a keyword search function as well as a means to search by IMEV number.
With a database of images, texts, charts and historical maps, Mapping Gothic France invites you to explore the parallel stories of Gothic architecture and the formation of France in the 12th and 13th centuries, considered in three dimensions: space, time, and narrative.
* National History Day Selected Resource *
The 14th century travel book and geography, The Travels of Sir John Mandeville provides readers with a fantastical tale of a man’s (supposed) journey from England to the farthest edges of the world. Sir John, the books’ narrator, tells stories of the sanctity of the Holy Land, of the wickedness of distant pagans peoples, and amazing and monstrous races that inhabit the corners of the globe. Taken as a whole, Mandeville’s book offers a remarkable insight into medieval ideas about geography, and about the way that the world was put together.
This project seeks to combine Mandeville’s text with one of the largest and most famous of the mappaemundi — the Hereford Map — in an attempt to use the two media together to make them more individually comprehensible. Using a legible copy of the Hereford map, I have annotated numerous locations on the map that also appear in Mandeville’s text. Clicking on these locations will bring up relevant selections from the text, and allow views to both understand Mandeville’s text within its proper framework, and to explore the foreign geographies of the map with a guide.
Mapping Metaphor is a project hosted by the University of Glasgow and represents the portion of the Mapping Metaphor project devoted particularly to the study of Old English. Deriving its data from the Historical Thesaurus of the Oxford English Dictionary, the project aims to provide useful data and data visualizations that map words and their usage as metaphors in Old English. The project presents over 70,000 metaphorical words in several visual formats. Users can also see which metaphorical words pair most frequently with a variety of statistical analyses.
The project has several tutorials and glossaries that teach a user how to use the database. Though the data itself is not available for download, the project includes several modes of searching its findings.
From the project: “MARGOT is a long-term research project devoted to publishing fully searchable editions of either generally inaccessible texts from the French Middle Ages and the Early Modern period (the Ancien Régime) or of texts in connection with a specific project from the same time period.”
MARGOT contains a number of other DH projects, including CANTUS, a database of medieval chant, French Women Writers, The Campsey Project, and Reading the Roman de la Rose in Text and Images, among others.
MARGOT makes its materials freely available under a Creative Commons license.
“This project presents an annotated copy of Matthew Paris’s c. 1250 map of Britain (BL Cotton MS Claudius D VI), made using Omeka’s Neatline extension.”
The annotated map is clickable with annotations that include text, images from medieval manuscripts, and sometimes modern photographs of locations depicted in Paris’s maps.
Measuring Polyphony is an ongoing project by researchers at Brandeis University and McGill University to digitally transcribe and notate polyphonic musical texts from manuscripts of the 13th and 14th centuries. As of 2020, the project presents around fifty musical pieces and has plans for growth. Currently, most of the transcribed musical texts are in Latin or French. Each entry presents musical texts in medieval mensural and modern notations. For some entries, the project presents manuscript images in IIIF format to compare against the marked-up scores. Pieces also include audio recordings of their performance in addition to downloadable data for each piece in MEI and PDF format.
Measuring Polyphony is committed to open-source data and has made the encoding process clear. The project also makes available all of its data in XML and MEI format and also provides access to its software apparatus on GitHub.
This web site deals with any and all aspects of the general topic “animals in the Middle Ages”, though there is an emphasis on the manuscript tradition, particularly of the bestiaries, and mostly in western Europe. The subject is vast, so this a large site, with well over 3000 pages, and perhaps the best way to explore it is to just wander around. The various pages making up the site are extensively linked; any text appearing in this blue color is a link (except for that one!). You can also click the green arrows at the top and bottom of each page; these will take you from one section to the next, or to the next page in a series. If you get lost, click the button on any page to return to the table of contents. If you are interested in bestiary manuscripts, start wil the section on the manuscript families, which will link you to various other pages of interest. If you want to learn about a particular animal, start with the Beasts pages. If you are looking for something in particular, try the site search. For more help in navigating the site, click the green on any page.
Informal articles, opinionated reviews, and irreverent comments on the bestiary genre can be found in the bestiary blog, Chimaera.
(Please note: this resource has not been updated since 2011, including the bibliography)
This database and website is a virtual museum of images produced between the late 15th through mid-20th century that document the architectural monuments of South Italy (the medieval Kingdom of Sicily) and their decoration (pulpits, mosaics, pavements) prior to destruction and restoration. The images, often produced during the Grand Tour or by artists and architects of a study journey to South Italy, are vital sources of information about the siting and character of the highly significant architecture sponsored by the Norman, Hohenstaufen, and Angevin rulers prior to the devastation of earthquakes, volcanic eruptions, and particularly the Allied bombardment of World War II.
This project presents a bibliography, discussion, and links to a variety of digitized medieval maps representing maps of a number of styles and from various parts of the world.
A site that provides a yearly bibliography of scholarship on medieval philosophy, a virtual library, and other useful resources on the subject around the web.
The Soldier in Medieval England originated from a major project funded by the Arts and Humanities Research Council (AHRC). This Research Grant was worth just under £500,000 and was awarded jointly to Professor Adrian Bell of the Henley Business School and Professor Anne Curry of the University of Southampton to challenge assumptions about the emergence of professional soldiery between 1369 and 1453. The original project ran from 1/10/2006 – 30/9/2009 and the team was made up of Adrian, Anne and Dr Andy King, Dr David Simpkin and Dr Adam Chapman (who completed his PhD during the course of the activity).
Since the end of the official project we have continuously developed this sustainable website and its searchable database. We have welcomed our many interactions with colleagues, academics and ‘citizen’ historians and now host a number of soldier profiles resulting from this use of our datasets.
In the Summer of 2016, working with Dr Aleksandr Lobanov we refreshed the website and database following feedback from users. We look forward to continuing our conversations with all those who value this resource as we do.
Our database contains the names of soldiers serving the English crown between 1369 and 1453. Most were fighting the French. In this second phase of the Hundred Years War major invasions of France were launched, including that of 1415 which culminated in Henry V’s victory at Agincourt 1415. We have also included soldiers serving in other theatres (Scotland, Ireland, Wales, Spain, Calais etc), and in all types of service (expeditions on land and sea, garrisons, escorts, standing forces).
Why do we know so many names? The simple explanation is that soldiers received pay and this had to be audited. The financial officials of the crown were keen to check the soldiers were present and correct. The main way of doing this was by checking off their names at a muster, at the beginning of a campaign or during it, or every few months for troops in garrison. Thousands of muster rolls survive in archive collections in England, France and beyond. We also have the evidence of letters of protection which soldiers bought from the Chancery to prevent legal actions whilst they were absent from home.
The project has two aims. Firstly, to present a guide to Cyfraith Hywel, medieval Welsh law, by explaining what Welsh law was, how the law worked, and suggesting further reading by listing subject-specific academic publications for several fields within this broad topic.
The second aim is to look at the law manuscripts, the starting point for working on Cyfraith Hywel. A short description of each manuscript is presented, along with a detailed list of contents for the individual manuscripts. It will be possible for anyone who is keen to learn more about the laws to turn to these tables to see exactly what is in the manuscripts, and also to see where else those sections may occur.
It is possible to use the explanatory sections together with the detailed work on the manuscripts to offer a fuller picture of what the texts of Cyfraith Hywel contain.
promoting European web-based resources for mediaeval studies, particularly in the French language; enhancing the international visibility of medievalists and their work; and bridging communication barriers between scholars;
providing a free critical index of on-line resources in the field of medieval studies for the use of scholars, students and laymen alike.
A survey of microfilms and other images of medieval manuscripts kept at the Institute de Recherche et d’Histoire des Textes. Many of these reproductions are now available online, and accessible via the database.
Met Publications is the publishing house website of New York’s Metropolitan Museum of Art. The site contains listings for many of the publications of the Met Museum dating back to 1911 on topics touching on all aspects of art history from all periods and regions. Included among these are numerous exhibition catalogs, collection catalogs, the Metropolitan Museum Journal, The Metropolitan Museum of Art Bulletin, educational and pedagogical books, and other online publications. Titles that are currently in print by the Met are fully searchable, though one must purchase the books to see the entire text. For books that are out of print, the museum makes the fully text available online and for download for free.
The search function on the Met Publications site allows users to search the various types of publications by name, author, type of text, and date among other qualities. Publications are regularly updated.
Welcome to the electronic Middle English Dictionary. The print MED, completed in 2001, has been described as “the greatest achievement in medieval scholarship in America.” Its 15,000 pages offer a comprehensive analysis of lexicon and usage for the period 1100-1500, based on the analysis of a collection of over three million citation slips, the largest collection of this kind available. This electronic version of the MED preserves all the details of the print MED, but goes far beyond this, by converting its contents into an enormous database, searchable in ways impossible within any print dictionary.
Der Relaunch von manuscripta.at 2014 bietet neue Daten und Funktionalitäten, darunter:
manuscripta.at soll nach und nach zum zentralen Nachweis- und Rechercheinstrument für mittelalterliche Handschriften in Österreich ausgebaut werden.
The relaunch of manuscripta.at in 2014 offers new data and functionality, including:
manuscripta.at will continue to be developed into the central evidence- and research-tool for medieval manuscripts in Austria.