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Archives

ALIM (Archivio della latinità italiana del Medioevo)

Ongoing project to collect Latin texts written in Italy during the Middle Ages. The holdings are divided between literary (e.g. hagiography, philosophy, sermons, chronicles) and documentary (e.g. town statutes, papal bulls) works, and can be searched or browsed by period, location, author, genre, prose, or verse. Each item includes the edition from which the text was taken, and preserves original pagination.

Christine de Pizan

A collection of online resources about Christine de Pizan, including links to digitized manuscripts and incunabula, out-of-copyright modern editions of her work (in the original French as well as English translation), and scholarly societies, projects, and websites devoted to Christine.

Dartmouth Dante Project

The Dartmouth Dante Project (DDP) is a searchable full-text online database that, in addition to incorporating the Petrocchi edition of Dante’s Commedia, collates commentaries on Dante’s poem from the earliest exegeses (in the 1320s), to those included in the most recent scholarly editions of Dante’s poem (up to Fosca, 2003-2015). Commentaries are included in the original language (Latin, English, or Italian) and are searchable by canticle, canto, verse line, word, or phrase. The DDP is a very useful resource for Dante scholars and a valuable portal into the commentary tradition, an important domain of critical scholarship on Dante.

* National History Day Selected Resource *

Digital Bodleian

The Bodleian Libraries’ collections are extraordinary and significant—both from a scholarly point of view and as material that has an historic and aesthetic richness that holds value for non-academic users. Each year the Libraries serve more than 65,000 readers, over 40% of them from beyond the University, while its critically-acclaimed exhibitions attract almost 100,000 visitors annually. In an effort to make portions of our collections open to a wide variety of users from around the world for learning, teaching and research, the Bodleian Libraries have been digitizing library content for nearly twenty years. The result is over 650,000 freely available digital objects and almost another 1 million images awaiting release.

Like many academic libraries, though, our freely available digital collections have been placed online in project-driven websites, with content stored in discrete ‘silos’, each with their own metadata format, different user interfaces, and no common search interface enabling users to discover content or navigate across collections. Some of our collections are linked at portal pages, but each collection remains, with a few exceptions, isolated and difficult to search. In addition, only a few collections offer a machine-readable interface, or any way to link their data with similar data in other Bodleian collections, or with collections at other institutions.

Digital.Bodleian aims to solve these problems by:

  • Bringing together our discrete collections under a single user interface which supports fast user-friendly viewing of high resolution images.
  • Standardizing the metadata for each collection to facilitate faceted browsing and searching across collections.
  • Converting all of our images in a variety of formats to JPEG2000 and migrating them to a robust scalable storage infrastructure.
  • Allowing users to tag and annotate images and group together content into their own virtual collections which can be shared with other users.
  • Allowing users to export metadata and images.

All of these tasks have been carried out using standards-compliant file formats and methods and with a view to future expansion, scalability and robustness.

Electronic Beowulf

The fourth edition of Electronic Beowulf 4.0 is a free, online version of Electronic Beowulf that supersedes all previous editions. The online edition is designed to meet the needs of general readers, who require a full, line by line, translation; of students, who want to understand the grammar and the meter and still have time in a semester to study and appreciate other important aspects of the poem; and of scholars, who want immediate access to a critical apparatus identifying the nearly 2000 eighteenth-century restorations, editorial emendations, and manuscript-based conjectural restorations.

Glossarial Concordance to Middle English

Housed at Johns Hopkins University, the Glossarial Concordance to Middle English is a database of words and their locations in texts derived from the Chaucer and Gower’s poetic works. The creators hope to expand the platform to other Middle English authors in the future. Drawing primarily from Larry Benson’s Riverside Chaucer in addition to the compiled works of Gower, the database allows a user to make complex searches for terms and phrases in those authors’ works. For an entry, the Concordance presents the text’s title and the line number at which it appears.

The site also interacts with the Middle English Dictionary to allow a user to search by dictionary headword. Searching is made simpler through the use of predictive text, so that as a user begins typing, the Concordance offers possible matches in the search box. The site invites users to contact the creators if they would like to add a text. Additionally, the source code for the project is made available on GitHub.

Guto’r Glyn Website / Gwefan Guto’r Glyn

This is a freely available online bilingual (Welsh and English) standard critical edition of the poetry of Guto’r Glyn (c.1435-c.1490). Guto’r Glyn is regarded as one of the most accomplished poets of late medieval Wales. As well as providing the user with translations of the poetry and paraphrases into modern Welsh, there are copious notes on the poems, the patrons, their homes, on the historical background and any notable linguistic features. Each poem is also accompanied by images from the most important manuscript witnesses (provided by the National Library of Wales), as well as transcriptions.

 

Internet Medieval History Sourcebook

The Internet Medieval Sourcebook is useful primarily as a source for short extracts, derived from public domain sources or copy-permitted translations, to be used for teaching (particularly for medieval survey courses). Also included are some complete documents, notably saints’ lives, or links to the full documents. The editor states that the early aim was to include a wide range of texts which address elite governmental, legal, religious and economic concerns. The resources now also include a large selection of texts on women’s and gender history, Islamic and Byzantine history, Jewish history, and social history. The texts, again according to the editor’s own statement, vary in quality, and do not always represent the best or most modern translation.

* National History Day Selected Resource *

Narrative Sources

Narrative Sources aims to offer an exhaustive and critical survey of all the narrative sources originating from the medieval Low Countries. The database is intended to inventory all texts which describe the past in a narrative way: annals, chronicles, letters, diaries, poems, saint’s lives, genealogies etc. Narrative Sources covers present day Belgium and the Netherlands as well as those areas which belonged historically to the Low Countries but are part now of France (French Flanders, French Hainault) or Germany (East Frisia, the northern Rhineland). The texts inventoried in Narrative Sources date from the sixth to the first half of the sixteenth century.

Oxford Cantigas de Santa Maria Database

The Oxford Cantigas de Santa Maria project is a platform containing numerous resources for the study of the 13th-century poems and their musical notation. The 429 poems of the Cantigas are each given an entry and within each entry one can find a synopsis of the poem, description of the miniature, a list of associated miracles, and a bibliography for that poem. Sometimes the poems will have linked recordings of their performance. The project also provides a fully searchable database of the qualities of the Cantigas so that one may search by a number of features, like the miracles, narrative, keywords, or manuscript. Likewise, the website presents an extensive bibliography of work on the poems. The project does not have the rights to reproduce the images of the manuscripts but can provide information on how to access and use them.

PhiloBiblon

PhiloBiblon is a free internet-based bio-bibliographical database of texts written in the various Romance vernaculars of the Iberian Peninsula during the Middle Ages and the Early Modern period. It includes the primary sources of those texts, both manuscript and printed, the individuals involved with the production and transmission of those sources and texts, and the libraries holding them, along with relevant secondary references and authority files for persons, places, and institutions.

Notes from reviewer:

PhiloBiblon combines a search of four online bibliographies of the Iberian Peninsula during the Middle Ages. As noted on the site, “There has been little concerted attempt to coordinate data among the four teams. Discrepancies will be found, for example, in the titles of texts originally written in Latin and in the names of individuals. In the case of translations from one Iberian language into another, however, the team describing the translated text tends to defer to the expertise of the team dealing with the original. There has been no systematic attempt to copy all of the information from the authority files of one bibliography into those of another.” This may make the resource confusing for inexperienced users.

Piers Plowman Electronic Archive

Published by the Society for Early English and Norse Electronic Texts (SEENET), the Piers Plowman Electronic Archive is a collaborative, peer-reviewed, and open-source web platform for the study of the texts and manuscripts of the late Middle English poem, Piers Plowman. Piers Plowman is a poem rich in versions and variants, and the project sets as its goal the publication of digital editions of each of the over 50 manuscript witnesses to the poem. Thus far it has published eight manuscripts in addition to the a reconstructed digital edition of the archetype of the B text of the poem. Many other manuscript witnesses are in the process of being edited as of 2020.

Each manuscript’s edition displays the text and material features of the manuscript along with the images from that manuscript. Users can also compare the text of individual manuscripts to the edited version of the text, making the platform particularly useful for comparing variant readings. Users will also find teaching materials for Piers Plowman along with an extensive bibliography on textual and manuscript studies as they relate to the poem.

Though image copyrights are held by institutions, the edited editions are open for use with citation. The source code and markup for the Archive is also downloadable.

Restoring Lost Songs: Boethius’ Consolation of Philosophy

Restoring Lost Songs is a Cambridge University project to reconstruct the music accompanying Boethius’ Consolation of Philosophy. Though it is understood that early medieval composers set music to Boethius’ lyrics, it remains unclear what the melody of those performance sounded like due to the notation systems used. The project seeks to offer possible restorations of the music in text and performance. On the platform, one may find a list of medieval manuscripts containing notated versions of the Consolation in addition to links to repositories and sometimes images of the manuscript. Additionally, a user may search by song to find in which manuscripts it appears.

The project has also published scores in modern notation of possible restorations of some of the lyrics. Additionally, the project offers numerous essays on topics from instruments and notation, to performance practices. Finally, the platform offers numerous video and audio recordings of their restorations in performance in addition to teaching materials. The site is occasionally updated as of 2020.

Roman de la Rose Digital Library

A searchable catalog of digitized manuscripts containing the Roman de la Rose, an allegorical love poem in the form of a dream vision composed in Old French in the 13th century. The current collection of 130 manuscripts (of an estimated 320 total) may be browsed by repository, shelf mark, date, origin, or illustrations, allowing cross-manuscript comparison of illustrations and sections of text.  Much of the data downloadable in .csv format.

* National History Day Selected Resource *