Skip to content

Archives

Ad Fontes

Ad Fontes is a web platform designed to train students and scholars for medieval archival work. Administered through the University of Zurich, the project requires the user to register for a free account that then allows him or her to take modules on the use of archives. Numerous modules exist, including ones on transcription, coinage, heraldry, chronology, dating, and maps. Transcription and script training focuses on several languages, including medieval Latin, German, and Scandinavian languages among others. Transcription modules include quizzes that allow a user to test their progress.

The platform is continuously updated, with new modules added every few months.

Archivio Segreto Vaticano: The Papal Archives

An informational site that provides descriptions of and guide to the holdings of the Archivio Segreto Vaticano (ASV) and its publications, including a history of the archive and procedures for consultation or requests for photographic or digital reproductions of any holdings. Descriptions of the major projects are accompanied by images of representative manuscripts. The downloadable guide lists the over 600 different collections, but not individual manuscripts of their contents.

Read More →

Becerro Galicano Digital

Published by the University of the Basque Country, the Becerro Galicano Digital project provides a digital edition, facsimile, and downloadable data derived from the cartulary. The Becerro Galicano is an extensive cartulary from the monastery of San Millan de la Cogolla, which is situated in the Rioja area on the border between Navarre and Castille. The monastery played a large role in the history of large swathes of northern-central Spain (Navarre, Rioja, Basque Country, Castile), and the Becerro is one of the most important sources for the region’s history from the 8th century to the 13th century.

The digital project provides an image of each folio of the manuscript in addition to an accompanying critical text. The website also makes available a bibliography on the cartulary as well as a brief introduction to its importance. Data from the project, including the critical text and indices of names and places, can be downloaded in RTF and TEI format. The website is available in Spanish, English, and Basque.

SfarData: The Codicological Data-Base of the Hebrew Palaeography Project

The goal of the project was to locate all the medieval codices written in the Hebrew script, which contained explicit production dates or at least scribe names; to study and document all their visual and measurable material features and scribal practices in situ, i.e. in the libraries in which they were kept; and classify these features and practices in order to expose a historical typology of the hand-produced Hebrew book and provide users of Hebrew manuscripts with a tool for identifying the production region and assessing the period of the studied manuscripts. Indeed, since the initiation of the project, almost all the dated manuscripts that were located have been studied and documented in some two hundred and fifty libraries and private collections.

Bibliothèque virtuelle des manuscrits médiévaux (BVMM)

The BVMM is a French-language resource that serves as a clearing house for images and data on medieval manuscripts held in institutions in Europe. Institutions range from municipal libraries and religious houses up to major research and university libraries across continental Europe. Images can sometimes be from microfilm, black and white, or in full color.

Biblissima

Bibliothèque virtuelle des bibliothèques, ce portail vous invite à découvrir l’histoire d’une partie des textes et livres qui ont été écrits, traduits, enluminés, collectionnés ou inventoriés depuis l’Antiquité jusqu’au XVIIIe siècle.

A virtual library of libraries, this portal invites you to discover the history of a portion of the texts and books  that were written, translated, illuminated, collected or catalogued from Antiquity to the eighteenth century.

British History Online

A digital library and index of primary and secondary sources and British and Irish history resources, which currently (Jan. 2016) contains material from over 1,250 printed volumes. Also provides  digitized versions of guides and calendars held at the National Archives at Kew, and historic maps, including the 19th-century Ordnance Survey. Augmented by scholarly born-digital resources like browsable datasets compiled from taxes, references to medieval market privileges, and central courts such as the Court of Common Pleas. Also includes useful subject guides to local, parliamentary, urban, and religious history with essays and bibliography. A small amount of content is restricted to subscription holders.

* National History Day Selected Resource *

Cambridge Genizah Digital Collection

The Cambridge Genizah collection is one of the largest groups of medieval Jewish manuscript fragments in the world. Famously, Cambridge is the repository for most of the materials of the Cairo Genizah, which were brought there with the Jewish community’s permission in the early 20th century. Roughly 193,000 items from the Genizah are housed in the library today. The digital collections contain over 20,000 digitized and fully searchable items with downloadable metadata and a variety of image sizes in IIIF format. Further, Cambridge has encouraged community-driven metadata and allowed users to tag fragments with keywords, which has expanded search opportunities.

Cantus Index

Cantus Index is a catalogue of chant texts and melodies for Office and Mass. Multiple online medieval music databases have been connected together through unique “Cantus ID numbers”. Chant texts and melodies can be searched on this Cantus Index website, and matches in any of the partner databases will be returned.

CANTUS Network: libri ordinarii of the Salzburg metropolitan province

The research project CANTUS NETWORK, based at the Austrian Academy of Sciences, aims to investigate the records of Christian medieval worship that have survived in manuscript form and describe the practice of liturgical and musical acts of worship. The key sources for this transmission are the liturgical “prompt books”, called liber ordinarius, which include a short form of more or less the entire rite of a diocese or a monastery. Here, prayers, readings and chants are given as in abbreviated form as text incipits.
A liber ordinarius usually includes all information necessary for the church services of an individual institution (church, monastery) or a group (diocese, group of monasteries). On the one hand, this includes the incipits of chants, readings and prayers for the liturgy of the hours, for mass and for processions. On the other hand, it also includes rubrics that provide instructions on how and when particular liturgical actions should be carried out. In a third column, libri ordinarii may contain commentaries on the liturgy taken from standard contemporary works, providing additional information for particular feast days or a particular liturgical activity. A fourth column may provide the unlined neume notation of the chant incipits. When dealing with parts of ordinals, the neumes are the only proof of which piece of music is actually concerned. “Local colour” is created by the combination of the three or four columns, that is, the chant and recital text tradition, the rubrics and the explanations of the liturgy. [the site is in German with an English option]

Chartes originales antérieures à 1121 conservées en France

Cette base de données présente le texte, et bientôt les reproductions photographiques, de l’ensemble des chartes originales antérieures à 1121 conservées en France. (This database presents the texts, and sometimes photographic reproductions, of the corpus of original charters preserved in France predating the year 1121.)

Christine de Pizan Digital Scriptorium

The Christine de Pizan Digital Scriptorium is an ongoing project to make available digital surrogates of all the manuscripts of Christine de Pizan’s literary work. Currently, the project offers digital surrogates of 56 of the manuscripts of Christine de Pizan’s work, including all the manuscripts held in the Bibliothèque nationale de France. Manuscripts are presented in a IIIF viewer.

Copyright to individual manuscripts and their images is retained by the institution that holds the material.

CORSAIR Online Collection Catalog (The Morgan Library & Museum)

Named after Pierpont Morgan’s yacht, CORSAIR is a single database providing unified access to over 250,000 records for medieval and Renaissance manuscripts, rare and reference books, literary and historical manuscripts, music scores, ancient seals and tablets, drawings, prints, and other art objects. Records continue to be added for the balance of the collection as well as for new acquisitions.

The depth of detail is unusual for an online catalog. Many records include summaries of the content of individual letters, lengthy notes about provenance, and detailed descriptions of bindings. Specialized indexes enable researchers to find all of the Morgan’s holdings associated with a given name, date, or place. For example, with a single search a scholar interested in Dickens can find records for manuscripts and letters in the author’s hand, early printed editions of his novels, original illustrations, photographs, and personal possessions such as Dickens’ ink pot and cigar case.

CORSAIR also serves as the gateway to one of the largest repositories of medieval images on the Internet, providing access to more than 57,000 digitized images from the Morgan’s collection of medieval and Renaissance manuscripts. Users may page through every illustrated leaf within a manuscript, or search for individual images by place or date of creation, artist’s name, illustration type, and subject. The images and descriptions may be accessed directly through CORSAIR, or by visiting Images from Medieval and Renaissance Manuscripts.

Database of Byzantine Book Epigrams

The Database of Byzantine Book Epigrams is an ongoing project that seeks to compile all metrical poems in Byzantine manuscripts that self-reference the book in which they are found. The database currently has over 12,000 “occurrence” records that include the text of the epigrams and information on the manuscripts in which they are found. Occurrences are linked to “type” records that group identical or similar epigrams preserved in different manuscripts. There is a catalog searchable by occurrence, type, manuscripts, and people. There is also a substantial bibliography on Byzantine epigrams provided.

Decretum Gratiani

The Decretum Gratiani project sets as its goal the creation of an edition of Gratian’s Decretum. Though it is unclear whether the final edition will be digital or on paper, the project as of 2020 provides a PDF of a draft of the text with caveats for its use. There is also a list of manuscript sigla of the Decretum that link to outside repositories. However, many of the links in this list and elsewhere on the site are broken.

DIAMM (the Digital Image Archive of Medieval Music)

DIAMM (the Digital Image Archive of Medieval Music) is a leading resource for the study of medieval manuscripts. We present images and metadata for thousands of manuscripts on this website. We also provide a home for scholarly resources and editions, undertake digital restoration of damaged manuscripts and documents, publish high-quality facsimiles, and offer our expertise as consultants.

DigiPal

DigiPal is a new resource for the study of medieval handwriting, particularly that produced in England during the years 1000–1100, the time of Æthelred, Cnut and William the Conqueror. It is designed to allow you to see samples of handwriting from the period and to compare them with each other quickly and easily.

Digital Bodleian

The Bodleian Libraries’ collections are extraordinary and significant—both from a scholarly point of view and as material that has an historic and aesthetic richness that holds value for non-academic users. Each year the Libraries serve more than 65,000 readers, over 40% of them from beyond the University, while its critically-acclaimed exhibitions attract almost 100,000 visitors annually. In an effort to make portions of our collections open to a wide variety of users from around the world for learning, teaching and research, the Bodleian Libraries have been digitizing library content for nearly twenty years. The result is over 650,000 freely available digital objects and almost another 1 million images awaiting release.

Like many academic libraries, though, our freely available digital collections have been placed online in project-driven websites, with content stored in discrete ‘silos’, each with their own metadata format, different user interfaces, and no common search interface enabling users to discover content or navigate across collections. Some of our collections are linked at portal pages, but each collection remains, with a few exceptions, isolated and difficult to search. In addition, only a few collections offer a machine-readable interface, or any way to link their data with similar data in other Bodleian collections, or with collections at other institutions.

Digital.Bodleian aims to solve these problems by:

  • Bringing together our discrete collections under a single user interface which supports fast user-friendly viewing of high resolution images.
  • Standardizing the metadata for each collection to facilitate faceted browsing and searching across collections.
  • Converting all of our images in a variety of formats to JPEG2000 and migrating them to a robust scalable storage infrastructure.
  • Allowing users to tag and annotate images and group together content into their own virtual collections which can be shared with other users.
  • Allowing users to export metadata and images.

All of these tasks have been carried out using standards-compliant file formats and methods and with a view to future expansion, scalability and robustness.