The Monastic Manuscript Project is a database of descriptions of manuscripts that contain texts relevant for the study of early medieval monasticism, especially monastic rules, ascetic treatises, vitae patrum-texts and texts related to monastic reforms. We provide lists of manuscripts for each of these texts, which are linked to manuscript descriptions. The purpose is to offer a tool for reconstructing not only the manuscript dissemination of early medieval monastic texts but also to give access to the specific contexts in which a text appears.
Ongoing collection of texts (primary and secondary, in original and translation) and images of art and architecture related to religious women in medieval Europe.
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A database of the volumes of the Monumenta Germaniae Historia (MGH), a collection of meticulously edited primary sources for the study of the Middle Ages with an emphasis on the German lands. The database may be searched or browsed by the department, and the volumes (published 1826-2010) may be read online or downloaded as .pdfs.
Provides an index of volumes published in University of Copenhagen’s Monumenta Musicae Byzantinae series, dedicated to scholarship about Byzantine chant. Also includes extensive bibliography, an inventory of the microfilms and photos of manuscripts housed at the University for the study of Byzantine chant, and the standard abridged version of the Sticherarion (Byzantine notated chant book) downloadable in .pdf format.
The Munich DigitiZation Center (MDZ) is the digital imagining website of the Bavarian State Library and associated institutions. The website includes content in German, English, and Italian. The MDZ is responsible for digitizing and publishing images of the State Library’s rich medieval manuscript and early print book holdings, which total well over 15,000 items. The collections comprise items from across Europe particularly but also items from around the world. The library’s holdings are especially rich in early medieval manuscripts.
The MDZ has both an online catalog for searching in addition to regularly updated online exhibitions. New items are added to the digital collections continuously. The catalog allows for advanced searching by title, date, and author. Each entry in the image database contains a catalog entry as well as the ability to download images in differing sizes and format. Also included are IIIF-compliant images and a Mirador viewer.
Narrative Sources aims to offer an exhaustive and critical survey of all the narrative sources originating from the medieval Low Countries. The database is intended to inventory all texts which describe the past in a narrative way: annals, chronicles, letters, diaries, poems, saint’s lives, genealogies etc. Narrative Sources covers present day Belgium and the Netherlands as well as those areas which belonged historically to the Low Countries but are part now of France (French Flanders, French Hainault) or Germany (East Frisia, the northern Rhineland). The texts inventoried in Narrative Sources date from the sixth to the first half of the sixteenth century.
The New York Public Library’s Digital Collections is the NYPL’s digital image archive. It contains a continuously updated selection of digital exhibitions in addition to a collection of over 4,000 images of manuscripts and many more of early printed books. The NYPL’s digital collections are global in outlook, including manuscripts from across the globe. Its holdings range from the 1200s onward, with strengths in the later Middle Ages and early print as well as Jewish manuscripts and books.
Digital entries include catalog information, multiple options for download though only in JPG format, and a timeline of information about the item where available. Digital Collections entries also link back to the NYPL’s catalog entries. Items are made freely available with citations for each item available to copy and paste.
The ultimate aim of the Ogham in 3D project is to digitise and record in 3d as many as possible of the approximately four hundred surviving Ogham stones and to make the resulting 3D models freely available on this website as part of a multi-disciplinary archive of Ogham stones.
* National History Day Selected Resource *
The premise of the Old English Poetry in Facsimile project is simple: produce a comprehensive collection of open-access, scholarly and rigorous digital facsimile editions that present digital manuscript images, transcriptions and translations of Old English poetry all in one place, to better allow people to study and explore these works. To do so, the project takes advantage of the new Digital Mappa 2.0 platform, which allows editors to make links and annotations across individual moments on related images and texts, and users to open and view multiple items side by side.
This project combines older editorial traditions with “bigger data” resources and research for more comprehensive lexical, dialectal and orthographic editorial readings.
Editions on this site practice “restorative retention” – privileging the text as written over emendation wherever possible, with an emphasis on description rather than prescription – in an effort to better preserve and understand linguistic and poetic heterogeneity in early medieval England.
Over 300 editions of Old English verse have been published, including examples of every genre: psalms, riddles, inscribed objects, charms, heroic verse, prayers, Boethian meters, wisdom poetry, marginal micro-texts, chronicle poems, homiletic verse, dialogues, and others.
Searchable annotated bibliography of over 5000 modern print and online editions of medieval primary sources, intended for a broad audience including high school and college level instructors as well as more advanced scholars or enthusiasts.
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The Dictionary of Old Norse Prose (ONP) is an online dictionary containing over 50,000 words derived from texts of Old Norse prose. Published by the University of Copenhagen, the project is ongoing as of 2020 with new words added regularly. The dictionary is searchable in a number of ways: by headword, text, manuscript, type of word, and numerous others. ONP makes it corpus data freely downloadable and has added information like the genre of text from which the word derives or whether it used in poetry or legal texts as well. Users can also view the words contained in particular texts or manuscripts and download that data for research purposes. When available, the ONP links to images of manuscripts and freely available editions of texts. Dictionary entries contain a list of sources in which the word appears in addition to its grammatical qualities.
Additionally, the project includes an expansive bibliography and has an active social media presence that offers a word-of-the-day feature.
ORBIS: The Stanford Geospatial Network Model of the Roman World reconstructs the time cost and financial expense associated with a wide range of different types of travel in antiquity. The model is based on a simplified version of the giant network of cities, roads, rivers and sea lanes that framed movement across the Roman Empire. It broadly reflects conditions around 200 CE but also covers a few sites and roads created in late antiquity.
The model consists of 632 sites, most of them urban settlements but also including important promontories and mountain passes, and covers close to 10 million square kilometers (~4 million square miles) of terrestrial and maritime space. 301 sites serve as sea ports. The baseline road network encompasses 84,631 kilometers (52,587 miles) of road or desert tracks, complemented by 28,272 kilometers (17,567 miles) of navigable rivers and canals.
* National History Day Selected Resource *
The Parker Library on the Web project is a joint endeavor by the Parker Library at Corpus Christi College, Cambridge and Stanford University to publish images of the roughly 600 medieval manuscripts housed in the library. To date, they have digitized and made freely available over 500 of those manuscripts. The Parker Library is one of the richest collections of early English books in the world, having been gifted the collections by Matthew Parker, the 16th-century Archbishop of Canterbury.
Parker Library on the Web has been at the forefront of library digitization projects. It was an early adopted of the IIIF image format. In addition to a wide range of manuscript images, including detailed images of illuminations, each entry has a detailed cataloging information and a bibliography for the item. Additionally, the platform also presents past digital exhibitions in addition to copious information on how to use the site.
People of Medieval Scotland 1093-1371 is a research project administered by King’s College London, University of Glasgow, and University of Edinburgh. The project has created an online database of all Scottish people mentioned in the over 8600 extant documents from the period 1093CE to 1371CE, though names and documents extend into the early 15th century. The database allows a user to search by keywords, people, places, sources, or “factoids,” which are legal events committed to documents. Each entry provides a list of associated people, the type of document, dates, and other documentary evidence as well as the holding institution for the document. When available, the project includes images of the documents in an on-screen viewer.
The project also presents an interactive network map that allows a user to visualize social connections in medieval Scotland. Additionally, the project presents a map of Scotland that a user may lay over with places and events as derived from the documentary evidence.
The database and its materials are free to use. The project is ongoing with the period under consideration extended in recent updates.
PhiloBiblon is a free internet-based bio-bibliographical database of texts written in the various Romance vernaculars of the Iberian Peninsula during the Middle Ages and the Early Modern period. It includes the primary sources of those texts, both manuscript and printed, the individuals involved with the production and transmission of those sources and texts, and the libraries holding them, along with relevant secondary references and authority files for persons, places, and institutions.
Notes from reviewer:
PhiloBiblon combines a search of four online bibliographies of the Iberian Peninsula during the Middle Ages. As noted on the site, “There has been little concerted attempt to coordinate data among the four teams. Discrepancies will be found, for example, in the titles of texts originally written in Latin and in the names of individuals. In the case of translations from one Iberian language into another, however, the team describing the translated text tends to defer to the expertise of the team dealing with the original. There has been no systematic attempt to copy all of the information from the authority files of one bibliography into those of another.” This may make the resource confusing for inexperienced users.
Published by the Society for Early English and Norse Electronic Texts (SEENET), the Piers Plowman Electronic Archive is a collaborative, peer-reviewed, and open-source web platform for the study of the texts and manuscripts of the late Middle English poem, Piers Plowman. Piers Plowman is a poem rich in versions and variants, and the project sets as its goal the publication of digital editions of each of the over 50 manuscript witnesses to the poem. Thus far it has published eight manuscripts in addition to the a reconstructed digital edition of the archetype of the B text of the poem. Many other manuscript witnesses are in the process of being edited as of 2020.
Each manuscript’s edition displays the text and material features of the manuscript along with the images from that manuscript. Users can also compare the text of individual manuscripts to the edited version of the text, making the platform particularly useful for comparing variant readings. Users will also find teaching materials for Piers Plowman along with an extensive bibliography on textual and manuscript studies as they relate to the poem.
Though image copyrights are held by institutions, the edited editions are open for use with citation. The source code and markup for the Archive is also downloadable.
An online tool for the study of Dante’s Divine Comedy, providing a searchable side-by-side comparison of the Petrocchi edition of the Comedy with Hollander’s translation.
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Project Gutenberg, first begun in the 1970s, aims to provide free access to reading materials via the internet. The project currently includes over 50,000 open-access works, covering multiple subjects and representative of many time periods. Some of the works will be of interest to medievalists; editions of the Divine Comedy can be found in Italian on the site, for example, and other works of potential interest, both primary and secondary, are certainly to be found within the large collection. However, both the search and browse functions are outdated given current search engines. Even given the large number of volumes included, medieval works are more sparse than one might desire for inclusion in the MDR.
Description from creators: This project is a browseable directory of known copies of the Middle English Prose Brut chronicle, drawn from previous scholarly projects to describe and define the manuscript corpus. It contains links to projects, descriptions, and digital facsimiles of the manuscripts available on the web. A copy of the dataset is freely available for download and further experimentation.
During the later Middle Ages, the Middle English Prose Brut chronicle, commonly referred to as the Prose Brut, was possibly the most common source where a reader could learn about the history of England—from its legendary origins to the present dynasty. The Prose Brut survives in nearly two hundred manuscripts, compiled from the end of the fourteenth century on. This group of manuscripts has been the subject of extensive study for more than a century, as scholars and bibliographers have discovered new manuscripts and studied the Prose Brut’s relationship to other histories across a number of languages.
In the early 2000s, the multiyear digital humanities project “Imagining History: Perspectives on Late Medieval Vernacular Historiography” looked to put this information on the web in an open and expandable format. This most recent work has also been the most precarious. In 2017, the Imagining History Project’s data disappeared from the live internet. The handlist is the result of the project team’s work to remix the project data and to combine it with digitally available materials about the remaining manuscripts of the Brut, where possible. Since the project’s authors do not have direct control over much of the information, the project also illustrates the many different ways that institutions preserve data about medieval manuscripts.
For more on the project’s aims and goals, see Michelle Warren and Neil Weijer, “Re-Imagining Digital Things: Sustainable Data in Medieval Manuscript Studies” Digital Philology (Spring 2021): https://digitalcommons.dartmouth.edu/facoa/4056/
A blog with weekly entries detailing the manuscripts digitized by the Vatican Libraries in the preceding week. It also includes listings by fond/collection as well as specific ad-hoc collections and a basic search engine. Entries for new manuscripts go back to 2018.
A searchable database of medieval refrains, or fragments of music or text that circulated between songs of various types during the thirteenth century.
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The REGESTA IMPERII (RI) records all documented and historiographically documented activities of Roman-German kings and emperors from the Carolingians to Maximilian I (about 751-1519) and the popes of the early and early Middle Ages in the form of German-speaking regesta. The website is a portal for the Commission on the regesta imperii, including links to the RI Opac (bibliographical search engine), electronic publications (work in progress editions and data collections), and the searchable RI database (chronological entries relating to imperial history from the Carolingian to the fifteenth century, based on the 80+ published volumes).
RELMIN recueille, étudie et publie des textes juridiques définissant le statut des minorités religieuses dans l’Europe médiévale. Riche et varié, le corpus couvre dix siècles et s’étend sur une large zone géographique ; écrits en latin, arabe, grec, hébreu et araméen (ainsi qu’en espagnol, portugais, et en d’autres langues vernaculaires européennes), ces textes sont actuellement dispersés dans les bibliothèques et les dépôts d’archives de toute l’Europe. Ils sont maintenant recueillis dans la base de données RELMIN dans leur langue originale et accompagnés de traductions, ainsi que de commentaires. Ces textes sont ainsi mis à disposition de la communauté scientifique, des étudiants et des citoyens partout dans le monde, librement et de manière pérenne.
RELMIN collects, studies and publishes legal texts defining the status of religious minorities in medieval Europe. Rich and varied, the corpus covers ten centuries and extends over a wide geographical area; Written in Latin, Arabic, Greek, Hebrew and Aramaic (as well as Spanish, Portuguese, and other European vernacular languages), these texts are currently scattered in libraries and archives throughout Europe. They are now collected in the RELMIN database in their original language and accompanied by translations and comments. These texts are thus made available to the scientific community, students and citizens around the world, freely and permanently.
The Repertorium is a free German-language reference work for the history of the German Middle Ages from about 750-1500. It provides a large catalog of authors and works who discuss the history of the region that is today German. Entries frequently provide links to digitized manuscripts and texts on external websites when available. There are also a number of tags to sort entries, including by lists of saints and places in addition to a search function. An English version of the site can be accessed here: https://geschichtsquellen.de/start?s=en
Restoring Lost Songs is a Cambridge University project to reconstruct the music accompanying Boethius’ Consolation of Philosophy. Though it is understood that early medieval composers set music to Boethius’ lyrics, it remains unclear what the melody of those performance sounded like due to the notation systems used. The project seeks to offer possible restorations of the music in text and performance. On the platform, one may find a list of medieval manuscripts containing notated versions of the Consolation in addition to links to repositories and sometimes images of the manuscript. Additionally, a user may search by song to find in which manuscripts it appears.
The project has also published scores in modern notation of possible restorations of some of the lyrics. Additionally, the project offers numerous essays on topics from instruments and notation, to performance practices. Finally, the platform offers numerous video and audio recordings of their restorations in performance in addition to teaching materials. The site is occasionally updated as of 2020.